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The full version, DaVinci Resolve Studio 17, will cost you a one-time payment of $295. Some of the features missing from the free version include the DaVinci Neural Engine, some Resolve FX filters, stereoscopic 3D tools and a few other features. Perhaps the best part of Resolve is that there is a robust free version available. And, again, be ready to spend many hours learning the node system. Users who choose DaVinci Resolve should have a high-end processor to keep up with the program’s demands. Resolve’s coloring tools are top notch… but they come at a price. It also has powerful noise reduction features that are excellent for grainy footage. Resolve features powerful AI tools that help editors match colors in a snap. That’s because DaVinci Resolve uses a system called “nodes” for adding effects to footage. That means you can make cuts and add text, effects and transitions to your edits all within DaVinci Resolve.Īnd if you’re switching from a popular video editor like FCPX or Adobe Premiere, you’ll definitely face a learning curve. One of the benefits to using DaVinci Resolve is that you can actually edit your footage in the program.

You can’t use it with Adobe Premiere or Final Cut Pro X. Unlike Color Finale 2, DaVinci Resolve is a standalone program.

That’s because DaVinci Resolve was built specifically for creating beautiful colors in video. In fact, it’s become popular among even film and TV editors.

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What is DaVinci Resolve?ĭaVinci Resolve from Blackmagic is one of the most powerful color correction and color grading software video editors can use.

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Or, purchase Color Finale 2 Pro for the full suite of features for a one-time payment of $149.Ĭlick here to start your FREE trial of Color Finale 2! Or visit our review of Color Finale 2 to learn more. You can purchase the basic Color Finale 2 software for $99. You can find a lot of great Color Finale tutorials at their YouTube channel too. But the best part of it all is that Color Finale is actually simple to use. Or, you can create your own LUTs and save them for use on future projects.Īll of these tools provide a very detailed coloring experience. Plus, you can show Color Finale where your favorite LUTs are located on your computer for quick application. It is now much easier to sort through and preview LUTs. This allows editors to more easily isolate specific areas or colors within footage for detailed coloring.Īnd, as mentioned, the LUTs browser has been upgraded since Color Finale 1. Masks are simple to apply to video clips and easy to manage with an excellent tracking feature. Priced at $59, the plugin is available now.Some of the coolest features with Color Finale 2 are the masking and an improved LUTs browser. The release of the Transcoder is the first new launch for the company since December 2020, with plans for the company to launch additional advanced products later this year.

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In its initial incarnation, the Color Finale Transcoder add-on is intended to quickly import the unsupported camera media into Final Cut Pro, with plans for more media to be compatible in the future.Ĭolor Trix is the developer of multiple Final Cut Pro plugins, including Color Finale for professional color grading, Color Finale LUTs and Color Finale Connect. For example, BRaw footage, shot on a Blackmagic camera, requires an external third-party application to transcode files before the start of the editing process. Having to transcode media prior to importing it adds an extra and time-consuming stage to the workflow. There are a full range of camera-setting adjustments directly within the import interface, and it also allows the handling of multiple clips at once and choice of SDR or HDR color space. The Color Finale Transcoder extension streamlines FCP X workflows, allowing the user to import raw camera media, BRaw, ARRIRaw and CinemaDNG directly into Final Cut Pro, making them immediately available for editing. Color Trix has launched Color Finale Transcoder, a new workflow extension enabling camera media to be imported directly into the Final Cut Pro X interface.

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